"High-octane riffs from Irish master of grumpiness…spellbinding" Evening Standard

"Trumping Shakespeare, he reduces life to four ages: “Child, failure, old and dead”. Faced with one-liners as killings as that the world suddenly seems a better place" The Telegraph

"His comedy takes on an existential dimension, as tubby, nicotine-starved, emasculated Moran comes to represent the struggles we all wage for meaning and connection" The Guardian

"He’s punch-drunk, pissed off and sick of it all, but determined to at least wiring as much black humour out of proceedings" The Independent